Artist Statement
This project, entitled A
Child’s Nightmare, is based off of the 5th Movement of Hector
Berlioz’s Symphonie Fantastique. The
idea behind the project was to take things that are normal and/or beautiful and
turn them into something horrifying.
This particular piece of music is a beautiful classical piece, but, to
me, it also has a very dark horror-like aspect to it. Children often find fear in things without
reason, which is represented by the style of the drawings over the
pictures. The simple drawings are similar
to how a child would draw, and drawing is a very expressive form of
communication for a child. Whether they
are feeling happy, sad, scared, or excited, children can show it on a piece of
paper by using a crayon, marker, or paintbrush.
The colors
used in the pictures also play a role.
The photographs themselves are colorful and cheery. The black, reds, and yellows used in the
drawings over the pictures bring a dark and fearful aspect to each photo. Personally, when I was a very young child, I
would always associate villains with the colors black, purple, and red because
they were often portrayed dressed in these colors. Take Disney’s Sleeping Beauty for example.
Maleficent is robed in black and purple, which gives her a chilling
presence whenever she enters a room. The
colors used to represent her essentially represent evil and are used to instill
fear. This childlike view of dark colors
representing villainy is shown through the colors used in the pictures.
In the text
written by Annie Dillard, she also approaches darkness as something frightening but
also fascinatingly beautiful. She
states, “And out of that violet, a sudden enormous black body arced over the
water…I saw only one ebony fling, a headlong dive to darkness; then the waters
closed, and the lights went out…Darkness appalls and light dazzles” (Dillard,
100-102). In her description of the
water, Dillard was completely captivated by the beauty of it. Later, however, she states that darkness is
appalling. It is interesting that we, as
human beings, are captivated by something dark and frightening to the point
where it is impossible to look away. Of
course, once it’s over and we can finally pry our eyes away, a lingering and
growing sense of fear encompasses us. Children
are especially good examples of this.
They sit enraptured during a scary part of a film or keep glancing at a
frightening image. The nightmares
usually come after the initial exposure, leaving permanent burn marks on the
backs of the eyelids that haunt and torment, just the like the music in this
piece.
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